The Count of Monte Cristo

Every one obeyed. For a man who, like Franz, viewed his position in its true light, it was a grave one. He was alone in the darkness with sailors whom he did not know, and who had no reason to be devoted to him; who knew that he had several thousand francs in his belt, and who had often examined his weapons,—which were very beautiful,—if not with envy, at least with curiosity. On the other hand, he was about to land, without any other escort than these men, on an island which had, indeed, a very religious name, but which did not seem to Franz likely to afford him much hospitality, thanks to the smugglers and bandits. The history of the scuttled vessels, which had appeared improbable during the day, seemed very probable at night; placed as he was between two possible sources of danger, he kept his eye on the crew, and his gun in his hand. The sailors had again hoisted sail, and the vessel was once more cleaving the waves. Through the darkness Franz, whose eyes were now more accustomed to it, could see the looming shore along which the boat was sailing, and then, as they rounded a rocky point, he saw the fire more brilliant than ever, and about it five or six persons seated. The blaze illumined the sea for a hundred paces around. Gaetano skirted the light, carefully keeping the boat in the shadow; then, when they were opposite the fire, he steered to the centre of the circle, singing a fishing song, of which his companions sung the chorus. At the first words of the song the men seated round the fire arose and approached the landing–place, their eyes fixed on the boat, evidently seeking to know who the new–comers were and what were their intentions. They soon appeared satisfied and returned (with the exception of one, who remained at the shore) to their fire, at which the carcass of a goat was roasting. When the boat was within twenty paces of the shore, the man on the beach, who carried a carbine, presented arms after the manner of a sentinel, and cried, "Who comes there?" in Sardinian. Franz coolly cocked both barrels. Gaetano then exchanged a few words with this man which the traveller did not understand, but which evidently concerned him. "Will your excellency give your name, or remain incognito?" asked the captain.

"My name must rest unknown,—merely say I am a Frenchman travelling for pleasure." As soon as Gaetano had transmitted this answer, the sentinel gave an order to one of the men seated round the fire, who rose and disappeared among the rocks. Not a word was spoken, every one seemed occupied, Franz with his disembarkment, the sailors with their sails, the smugglers with their goat; but in the midst of all this carelessness it was evident that they mutually observed each other. The man who had disappeared returned suddenly on the opposite side to that by which he had left; he made a sign with his head to the sentinel, who, turning to the boat, said, "S'accommodi." The Italian s'accommodi is untranslatable; it means at once, "Come, enter, you are welcome; make yourself at home; you are the master." It is like that Turkish phrase of Moliere's that so astonished the bourgeois gentleman by the number of things implied in its utterance. The sailors did not wait for a second invitation; four strokes of the oar brought them to land; Gaetano sprang to shore, exchanged a few words with the sentinel, then his comrades disembarked, and lastly came Franz. One of his guns was swung over his shoulder, Gaetano had the other, and a sailor held his rifle; his dress, half artist, half dandy, did not excite any suspicion, and, consequently, no disquietude. The boat was moored to the shore, and they advanced a few paces to find a comfortable bivouac; but, doubtless, the spot they chose did not suit the smuggler who filled the post of sentinel, for he cried out, "Not that way, if you please."