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Both painting and literature received a new burst of life as the Early Middle Ages came to an end.
Giotto began to express the Human form more realistically. Although his forms seem primitive compared to those of the Renaissance artists, he was the first to attempt to bring back the realism of Roman art. He also began to develop techniques of perspective in paintings to achieve depth. Most of his art was in the form of plaster-based frescoes on the walls of chapels and churches.
As the prestige of the Papacy began to decline, national consciousness began to increase; this nationalism was manifested in literature written in national languages, or vernacular, instead of traditional Latin. This use of the vernacular opened up such that cultural peculiarities could be more naturally expressed. This allowed literature to feel more realistic and human to the readers, and is why pieces such as The Canterbury Tales are considered depictions of life in the times in which they were written.
While the literacy of laypeople increased as a result of increased vernacular writings, society was still largely based on oral culture.
Dante Alighieri
Dante Aligheri was born in 1265 in Florence, Italy. His family was not rich but was considered an aristocratic line. He was taught by Brunetto Latini, who trained him in the classical liberal arts, including Latin and Greek. Yet, Dante set out to embrace his vernacular language and began to write The Divine Comedy in his local Tuscan dialect. Today he holds a place in history as the first author to do so. Alighieri considered his work a comedy due to the differences between his Italian writing style and the great Latin tragedy. His three-part epic poem sarcastically criticized the Church and commented on a variety of historical and contemporary individuals. The most important of these figures is Virgil, the Latin poet, who plays the role of Dante's guide through the afterlife. Dante's personal feelings towards many people are also evident in his writing. In the deepest layer of hell he punishes those for whom he personally had the greatest disdain. Much of this personal disdain came from his position as a politician in Florence. One of the victims of his deepest layer of hell is Boniface VIII, a pope whose political policy of expansion he opposed. Each of the poem's parts portray degrees of salvation, with "Inferno" being Hell, "Purgatorio" being Purgatory, and "Paradiso" being Heaven. Inferno includes many of the archetype depictions of hell including the River Styx, and the ferry man Chiron who carries people across the river.
Geoffrey Chaucer
Chaucer's The Canterbury Tales, a collection of stories, exposed the materialistic, worldly interests of a variety of English people. This collection of stories was set in a frame based around a trip to Canterbury as a pilgrimage to the shrine of Saint Thomas Becket. The stories are the individual tales of thirty people making this pilgrimage. The accounts range from romance to family to religion, providing a cross section of society at the time. A large percentage of the populace, and therefore a large percentage of the characters, seemed more focused on material pleasure than on their eternal souls. The Canterbury Tales is also useful as a study of English vernacular at the time. It is a classical example of Middle English that linguists and those studying medieval and early modern England continue to use to this day.
