Shakespeare and the Modern Stage / with Other Essays

by Sir Sidney Lee

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No ceremony that to great ones 'longs,
Not the king's crown, nor the deputed sword,
The marshal's truncheon, nor the judge's robe,
Become them with one half so good a grace
As mercy does.
How would you be
If He, which is the top of judgment, should
But judge you as you are?
O, it is excellent
To have a giant's strength; but it is tyrannous
To use it like a giant.

Mercy is the predominating or crowning virtue that Shakespeare demands in rulers. But the Shakespearean code is innocent of any taint of sentimentality, and mercifulness is far from being the sovereign's sole qualification or primal test of fitness. More especially are kings and judges bound by their responsibilities and their duties to eschew self-glorification or self-indulgence. It is the virtues of the holders of office, not their office itself, which alone in the end entitles them to consideration. Adventitious circumstances give no man claim to respect. A man is alone worthy of regard by reason of his personal character. Honour comes from his own acts, neither from his "foregoers," i.e., ancestors, nor from his rank in society. "Good alone is good without a name." This is not the view of the world, which values lying trophies, rank, or wealth. The world is thereby the sufferer.[30]

The world honours a judge; but if the judge be indebted to his office and not to his character for the respect that is paid him, he may deserve no more honour than the criminal in the dock, whom he sentences to punishment. "A man may see how this world goes with no eyes," says King Lear to the blind Gloucester. "Look with thine ears; see how yond justice rails upon yond simple thief. Hark, in thine ear; change places, and, handy-dandy, which is the justice, which is the thief? Thou hast seen a farmer's dog bark at a beggar? And the creature run from the cur? There thou mightst behold the great image of authority; a dog's obeyed in office." "The great image of authority" is often a brazen idol.

Hereditary rulers form no inconsiderable section of Shakespeare's dramatis personæ. In Macbeth (IV., iii., 92-4) he specifically defined "the king-becoming graces":?

As justice, verity, temperance, stableness,
Bounty, perseverance, mercy, lowliness,
Devotion, patience, courage, fortitude.

But the dramatist's main energies are devoted to exposure of the hollowness of this counsel of perfection. Temptations to vice beset rulers of men to a degree that is unknown to their subjects. To avarice rulers are especially prone. Stanchless avarice constantly converts kings of ordinary clay into monsters. How often they forge

Quarrels unjust against the good and loyal,
Destroying them for wealth.
(Macbeth, IV., iii., 83-4.)

Intemperance in all things?in business and pleasure?is a standing menace of monarchs.

Boundless intemperance
In Nature is a tyranny: it hath been
Th' untimely emptying of the happy throne
And fail of many kings.
(Macbeth, IV., iii., 66-9.)

A leader of men, if he be capable of salvation, must "delight no less in truth than life." Yet "truth," for the most part, is banished from the conventional environment of royalty.

Repeatedly does Shakespeare bring into dazzling relief the irony which governs the being of kings. Want of logic and defiance of ethical principle underlie their pride in magnificent ceremonial and pageantry. The ironic contrast between the pretensions of a king and the actual limits of human destiny is a text which Shakespeare repeatedly clothes in golden language.