Shakespeare and the Modern Stage / with Other Essays

by Sir Sidney Lee

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The world is still deceiv'd with ornament.
In law what plea so tainted and corrupt
But, being season'd with a gracious voice,
Obscures the show of evil? In religion
What damned error, but some sober brow
Will bless it and approve it with a text,
Hiding the grossness with fair ornament?
There is no vice so simple but assumes
Some mark of virtue on his outward parts:
How many cowards, whose hearts are all as false
As stairs of sand, wear yet upon their chins
The beards of Hercules and frowning Mars,
Who, inward searched, have livers white as milk.
(Merchant of Venice, III., ii., 74-86.)

Shakespeare was no cynic. He was not unduly distrustful of his fellow-men. He was not always suspecting them of something indistinguishable from fraud. When he wrote, "The world is still deceived with ornament" which "obscures the show of evil," he was expressing downright hatred?not suspicion?of sham, of quackery, of cant. His is the message of all commanding intellects which see through the hearts of men. Shakespeare's message is Carlyle's message or Ruskin's message anticipated by nearly three centuries, and more potently and wisely phrased.

IV

At the same time as Shakespeare insists on the highest and truest standard of public duty, he, with characteristically practical insight, acknowledges no less emphatically the necessity or duty of obedience to duly regulated governments. There may appear inconsistency in first conveying the impression that governments, or their officers, are usually unworthy of trust, and then in bidding mankind obey them implicitly. But, although logical connection between the two propositions be wanting, they are each convincing in their place. Both are the outcome of a robust common-sense. Order is essential to a nation's well-being. There must be discipline in civilised communities. Officers in authority must be obeyed. These are the axiomatic bases of every social contract, and no question of the personal fitness of officers of state impugns their stability.

Twice does Shakespeare define in the same terms what he understands by the principle of all-compelling order, which is inherent in government. Twice does he elaborate the argument that precise orderly division of offices, each enjoying full and unquestioned authority, is essential to the maintenance of a state's equilibrium.

The topic was first treated in the speeches of Henry V.'s councillors:?

Exeter.



For government, though high and low and lower,
Put into parts, doth keep in one consent,
Congreeing in a full and natural close,
Like music.
Cant.







Therefore doth heaven divide
The state of man in divers functions,
Setting endeavour in continual motion;
To which is fixèd, as an aim or butt,
Obedience: for so work the honey-bees,
Creatures that by a rule in nature teach
The act of order to a peopled kingdom.
(Henry V., I., ii., 180-9.)

There follows a very suggestive comparison between the commonwealth of bees and the economy of human society. The well-worn comparison has been fashioned anew by a writer of genius of our own day, M. Mæterlinck.

In Troilus and Cressida (I., iii., 85 seq.) Shakespeare returns to the discussion, and defines with greater precision "the specialty of rule." There he approaches nearer than anywhere else in his writings the sphere of strict philosophic exposition. He argues that:?