As for Rakitin, he, as appeared later, had come so early to the hermitage at the special request of Madame Hohlakov. As soon as that good–hearted but weak–minded woman, who could not herself have been admitted to the hermitage, waked and heard of the death of Father Zossima, she was overtaken with such intense curiosity that she promptly dispatched Rakitin to the hermitage, to keep a careful look out and report to her by letter every half–hour or so "everything that takes place." She regarded Rakitin as a most religious and devout young man. He was particularly clever in getting round people and assuming whatever part he thought most to their taste, if he detected the slightest advantage to himself from doing so.
It was a bright, clear day, and many of the visitors were thronging about the tombs, which were particularly numerous round the church and scattered here and there about the hermitage. As he walked round the hermitage, Father Païssy remembered Alyosha and that he had not seen him for some time, not since the night. And he had no sooner thought of him than he at once noticed him in the farthest corner of the hermitage garden, sitting on the tombstone of a monk who had been famous long ago for his saintliness. He sat with his back to the hermitage and his face to the wall, and seemed to be hiding behind the tombstone. Going up to him, Father Païssy saw that he was weeping quietly but bitterly, with his face hidden in his hands, and that his whole frame was shaking with sobs. Father Païssy stood over him for a little.
"Enough, dear son, enough, dear," he pronounced with feeling at last. "Why do you weep? Rejoice and weep not. Don’t you know that this is the greatest of his days? Think only where he is now, at this moment!"
Alyosha glanced at him, uncovering his face, which was swollen with crying like a child’s, but turned away at once without uttering a word and hid his face in his hands again.
"Maybe it is well," said Father Païssy thoughtfully; "weep if you must, Christ has sent you those tears."
"Your touching tears are but a relief to your spirit and will serve to gladden your dear heart," he added to himself, walking away from Alyosha, and thinking lovingly of him. He moved away quickly, however, for he felt that he too might weep looking at him.
Meanwhile the time was passing; the monastery services and the requiems for the dead followed in their due course. Father Païssy again took Father Iosif’s place by the coffin and began reading the Gospel. But before three o’clock in the afternoon that something took place to which I alluded at the end of the last book, something so unexpected by all of us and so contrary to the general hope, that, I repeat, this trivial incident has been minutely remembered to this day in our town and all the surrounding neighborhood. I may add here, for myself personally, that I feel it almost repulsive to recall that event which caused such frivolous agitation and was such a stumbling–block to many, though in reality it was the most natural and trivial matter. I should, of course, have omitted all mention of it in my story, if it had not exerted a very strong influence on the heart and soul of the chief, though future, hero of my story, Alyosha, forming a crisis and turning–point in his spiritual development, giving a shock to his intellect, which finally strengthened it for the rest of his life and gave it a definite aim.
And so, to return to our story. When before dawn they laid Father Zossima’s body in the coffin and brought it into the front room, the question of opening the windows was raised among those who were around the coffin. But this suggestion made casually by some one was unanswered and almost unnoticed. Some of those present may perhaps have inwardly noticed it, only to reflect that the anticipation of decay and corruption from the body of such a saint was an actual absurdity, calling for compassion (if not a smile) for the lack of faith and the frivolity it implied. For they expected something quite different.
