The Notebooks of Leonardo Da Vinci - Complete

The construction of the vaults resembles those in the galleries of some etruscan tumuli, for instance the Regulini Galeassi tomb at Cervetri (lately discovered) and also that of the chamber and passages of the pyramid of Cheops and of the treasury of Atreus at Mycenae.

The upper cone displays not only analogies with the monuments mentioned in the note, but also with Etruscan tumuli, such as the Cocumella tomb at Vulci, and the Regulini Galeassi tomb_[Footnote 1: See FERSGUSON, Handbook of Architecture, I, 291.]. _The whole scheme is one of the most magnificent in the history of Architecture.

It would be difficult to decide as to whether any monument he had seen suggested this idea to Leonardo, but it is worth while to enquire, if any monument, or group of monuments of an earlier date may be supposed to have done so._[Footnote 2: There are, in Algiers, two Monuments, commonly called "Le Madracen" and "Le tombeau de la Chretienne," which somewhat resemble Leonardo's design. They are known to have served as the Mausolea of the Kings of Mauritania. Pomponius Mela, the geographer of the time of the Emperor Claudius, describes them as having been "Monumentum commune regiae gentis." See Le Madracen, Rapport fait par M. le Grand Rabbin AB. CAHEN, Constantine 1873?Memoire sur les fouilles executees au Madras'en .. par le Colonel BRUNON, Constantine l873.?Deux Mausolees Africains, le Madracen et le tombeau de la Chretienne par M. J. DE LAURIERE, Tours l874.?Le tombeau de la Chretienne, Mausolee des rois Mauritaniens par M. BERBRUGGER, Alger 1867.?I am indebted to M. LE BLANC, of the Institut, and M. LUD, LALANNE, Bibliothecaire of the Institut for having first pointed out to me the resemblance between these monuments; while M. ANT. HERON DE VlLLEFOSSE of the Louvre was kind enough to place the abovementioned rare works at my disposal. Leonardo's observations on the coast of Africa are given later in this work. The Herodium near Bethlehem in Palestine (Jebel el Fureidis, the Frank Mountain) was, according to the latest researches, constructed on a very similar plan. See Der Frankenberg, von Baurath C. SCHICK in Jerusalem, Zeitschrift des Deutschen Palastina-Vereins, Leipzag 1880, Vol. III, pages 88-99 and Plates IV and V. J. P. R.]

_E. Studies for the Central Tower, or Tiburio of Milan Cathedral.

Towards the end of the fifteenth century the Fabbricceria del Duomo had to settle on the choice of a model for the crowning and central part of this vast building. We learn from a notice published by G. L. Calvi [Footnote: G. L. CALVI, Notizie sulla vita e sulle opere dei principali architetti scultori e pittori che fiorirono in Milano, Part III, 20. See also: H. DE GEYMULLER, Les projets primitifs etc. I, 37 and 116-119.?The Fabbricceria of the Duomo has lately begun the publication of the archives, which may possibly tell us more about the part taken by Leonardo, than has hitherto been known.] that among the artists who presented models in the year 1488 were: Bramante, Pietro da Gorgonzola, Luca Paperio (Fancelli), and Leonardo da Vinci.?

Several sketches by Leonardo refer to this important project:

Pl. XCIX, No. 2 (MS. S. K. III, No. 36a) a small plan of the whole edifice.?The projecting chapels in the middle of the transept are wanting here. The nave appears to be shortened and seems to be approached by an inner "vestibolo".?

Pl. C, No. 2 (Tr. 21). Plan of the octagon tower, giving the disposition of the buttresses; starting from the eight pillars adjoining the four principal piers and intended to support the eight angles of the Tiburio. These buttresses correspond exactly with those described by Bramante as existing in the model presented by Omodeo. [Footnote: Bramante's opinion was first published by G. MONGERl, Arch. stor. Lomb. V, fasc. 3 and afterwards by me in the publication mentioned in the preceding note.]

Pl. C, 3 (MS. Tr. 16). Two plans showing different arrangements of the buttresses, which seem to be formed partly by the intersection of a system of pointed arches such as that seen in **

Pl. C, No. 5 (MS. B, 27a) destined to give a broader base to the drum. The text underneath is given under No. 788.

MS. B, 3?three slight sketches of plans in connexion with the preceding ones._

Pl. XCIX, No.1 (MS. Tr. 15) contains several small sketches of sections and exterior views of the Dome; some of them show buttress-walls shaped as inverted arches. Respecting these Leonardo notes:

758.