by Edwin Sidney Hartland
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But the folk-tale cannot be separated in this inquiry from the folk-song with which, in its origin and development, it is so closely connected. In India there are, or were until recent years, everywhere professional bards; and the stories told in Indian villages are frequently the substance of the chants of these bards. More than this, the line between singing and narration is so faintly drawn, that the bards themselves often interpose great patches of prose between the metrical portions of their recitations. Fairs, festivals, and marriages all over India are attended by the bards, who are always ready to perform for pay and drink. Mr. Leland believes the stories he obtained from the Christian Algonkins of New England, concerning the ancient heroes of the race and other mythical personages, to have once been delivered as poems from generation to generation and always chanted. The deeds of Maori warriors are handed down in song; just as we find in Beowulf, the story of Hrothgar's ancestors was sung before his own companions-in-arms by his gleemen to the accompaniment of some instrument after the mead cup had gone round. The Roman historian attests the prevalence among the German tribes of ancient songs, which he expressly mentions as their only kind of memory or record,?thus showing that all their tales, whether mythologic or heroic, were for better preservation cast into metrical form. Some of these, enshrining the deeds of their heroes, were chanted on going into battle, in order to arouse the warriors' courage. And as far back as the light of history, or of literature, penetrates, not only the Teutonic, but also the Celtic nations loved to have their actions celebrated thus. To a Welsh king his household bard was as necessary as his domestic chaplain, or his court physician, and in the ancient laws his duties, his precedence, his perquisites, and even the songs he was expected to sing, are minutely prescribed. The bards were organized into a regular order, or college, with an official chief. They were not merely singers or poets, but also tale-tellers; and from the Mabinogion we gather that listening to songs and tales was one of the habitual, if not daily pastimes, of a court.[9]