by Edwin Sidney Hartland
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These bring us to a number of märchen in which the bespelled heroine is released by a youth who suffers torture on her account. The Transylvanian gipsies tell a tale of a very poor man who, instructed by a dream, climbed a certain mountain and found a beautiful maiden before a cavern, spinning her own golden hair. She had been sold by her heartless parents to an evil spirit, who compelled her to this labour; but she could be saved if she could find any one willing to undergo in silence, for her sake, an hour's torture from the evil spirit on three successive nights. The man expressed himself ready to make the attempt; he entered the cave, and at midnight a gigantic Prikulich, or evil spirit, appeared, and questioned him as to who he was and what he wanted there. Failing to get any reply, the Prikulich flung him to the ground and danced about madly on him. The man endured without a moan; and at one o'clock the Prikulich disappeared. The second night the man was beaten with a heavy hammer, and so tortured that the maiden had great difficulty in persuading him to stand the third proof. While she was praying him, however, to stay, the Prikulich appeared the third time, and beat him again with the hammer until he was half dead. Then the goblin made a fire and flung him into it. The poor fellow uttered not a single sound, in spite of all this torment; and the maiden was saved and wedded her deliverer. This is a tale by no means uncommon. Want of space forbids us to follow it in detail, but a few references in the note below will enable the reader to do so if he please. Meantime, I will only say that sometimes the princess who is thus to be rescued is enchanted in the form of a snake, sometimes of a she-goat, sometimes of a bird; and in one of the stories she herself, in the shape of a monster like a hedgehog, comes out of a coffin to tear the hero in pieces.[181] The group is allied, on the one hand, to that of Fearless Johnny who, passing the night in a haunted house, expelled the ghosts, or goblins, which had taken possession of it; on the other hand, to that of the Briar Rose, illustrated by Mr. Burne Jones' series of paintings.
The Briar Rose, or The Beauty of Sleeping Wood, as it comes to us from Perrault's hands, is the story of a maiden who was cursed by an offended fairy to pierce her hand with a spindle and to die of it?a curse afterwards mitigated into a sleep of a hundred years. Every effort was made by the king, her father, to avert the doom, but in vain; and for a whole century the princess and all her court remained in the castle in a magical sleep, while the castle itself and all within it were protected from intrusion by an equally magical growth of brambles and thorns, which not only prevented access, but entirely hid it from view. At length a king's son found his way in at the very moment the fated period came to an end; or, as we have it in other versions, he awakened the maiden with a kiss. In the old stories of the Niblungs and the Volsungs Odin has pricked the shield-maid Brynhild with a sleep-thorn, and thus condemned her to sleep within the shield-burg on Hindfell. Attracted by the appearance of fire, Sigurd comes to the shield-burg and, finding Brynhild, releases her from her slumber by ripping up her armour with his sword. This is chronologically the earliest form of the myth of the Enchanted Princess with which we are acquainted; and it is interwoven with the very fibres of the Teutonic mythology. It is no wonder, therefore, that the Germans have given it so prominent a place in their folklore. So far as now appears it is less conspicuous in the folklore of the other European races with the exception of the Slaves, and when it does show itself it shows itself chiefly as a märchen. But, although what we know of the folklore of the Teutonic and Slavonic races may suggest reasons for this, we must not forget how rarely we can dogmatize with safety on national characteristics. To this rule the folklore of a nation is no exception; nay, rather, the rule applies with a double emphasis to a subject the scientific investigation of which has so lately begun and has yet achieved so little.