by Edwin Sidney Hartland
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The story, as told of Melusina, was amplified, but in its substance differed little from the foregoing. Melusina does not forbid her husband to see her naked, but bargains for absolute privacy on Saturdays. When Raymond violates this covenant he finds her in her bath with her lower extremities changed into a serpent's tail. The lady appears to be unconscious of her husband's discovery; and nothing happens until, in a paroxysm of anger and grief, arising from the murder of one of his children by another, he cries out upon her as an odious serpent, the contaminator of his race. It will be remembered that in the Esthonian tale cited in Chapter VIII the youth is forbidden to call his mistress mermaid; and all goes well until he peeps into the locked chamber, where she passes her Thursdays, and finds her in mermaid form. Far away in Japan we learn that the hero Hohodemi wedded Toyotamahime, a daughter of the Sea-god, and built a house for her on the strand where she might give birth to her child. She strictly forbade him to come near until the happy event was over: he was to remain in his own dwelling, and on no account to attempt to see her until she sent for him. His curiosity, however, was too much for his happiness. He peeped, and saw his wife writhing to and fro on the floor in the shape of a dragon. He started back, shocked; and when, later on, Toyotamahime called him to her, she saw by his countenance that he had discovered the secret she had thought to hide from all mankind. In spite of his entreaties she plunged into the sea, never more to see her lord. Her boy, notwithstanding, was still the object of her care. She sent her sister to watch over him, and he grew up to become the father of the first Emperor of Japan. In a Maori tale the hero loses his wife through prematurely tearing down a screen he had erected for her convenience on a similar occasion. A Moravian tale speaks of a bride who shuts herself up every eighth day, and when her husband looks through the keyhole, he beholds her thighs clad with hair and her feet those of goats. This is a märchen; and in the end, having paid the penalty of his rashness by undergoing adventures like those of Hasan, the hero regains his love. A Tirolese märchen tells us of a witch who, in the shape of a beautiful girl, took service with a rich man and made a conquest of his son. She wedded him on condition that he would never look upon her by candlelight. The youth, like a masculine Psyche, breaks the taboo; and a drop of the wax, falling on her cheek, awakens her. It was in vain that he blew out the taper and lay down. When he awoke in the morning she was gone; but a pair of shoes with iron soles stood by the bed, with a paper directing him to seek her till the soles were worn out, and then he should find her again. By the aid of a mantle of invisibility, and a chair which bore him where he wished, he arrived in the nick of time to prevent her marriage with another bridegroom. The proper reconciliation follows, and her true husband bears her home in triumph. Not so happy was the hero of a Corsican saga, who insisted on seeing his wife's naked shoulder and found it nothing but bones?the skeleton of their love which he had thus murdered.[197]
At the foot of the steep grassy cliffs of the Van Mountains in Carmarthenshire lies a lonely pool, called Llyn y Fan Fach, which is the scene of a variant of Melusina, less celebrated, indeed, but equally romantic and far more beautiful. The legend may still be heard on the lips of the peasantry; and more than one version has found its way into print. The most complete was written down by Mr. William Rees, of Tonn (a well-known Welsh antiquary and publisher), from the oral recitation of two old men and a woman, natives of Myddfai, where the hero of the story is said to have dwelt. Stated shortly, the legend is to the following effect: The son of a widow who lived at Blaensawdde, a little village about three-quarters of a mile from the pool, was one day tending his mother's cattle upon its shore when, to his astonishment, he beheld the Lady of the Lake sitting upon its unruffled surface, which she used as a mirror while she combed out her graceful ringlets. She imperceptibly glided nearer to him, but eluded his grasp and refused the bait of barley bread and cheese that he held out to her, saying as she dived and disappeared: