by Edwin Sidney Hartland
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One of the consequences of reckoning descent only through females, which may be noticed here, is that the children belong to the mother and the mother's family. A trace of this lingers about the story of Tawhaki in the affront to Tango-tango caused by her husband's offensive remark upon their little one. In a society where the offspring are the father's, or even where, as in modern civilized life, they are treated as belonging to both parents and partaking of the nature of both, no such offence could be taken. Another consequence is that in the organization of society the wife still continues after marriage to reside with, and to be part of, the community to which she belongs by birth. The man leaves his father and his mother and cleaves to his wife. Hence it would be natural for her to return home to her own kindred, and for him to seek her and dwell with her there. This is illustrated not only in the Maori legends just cited, but also in the Arawàk story given in the last chapter, where the husband is received into the vulture race until he desires to visit his mother. He is then discarded as if he had committed some unpardonable breach of custom; and he cannot be restored to his former privileges. Although the Greeks had before the dawn of history ceased to practise mother-right, a trace of it lingers in a modern folk-tale from Epirus. There a man had by the ordinary device obtained an elf as a wife; and she bore him a child. After this her own kinsmen came and begged her to return to them; but she refused on the ground that she had a husband and child. ?Then bring them with you,? they replied. Accordingly, she took her husband and child, and went back with them to dwell among the elves. It seems, however, to be felt that this was an unusual proceeding; otherwise it would have been needless to plead with the lady to return, and to extend a special invitation to those whom she would not abandon: an indication, this, that the story has been adapted to a higher plane of civilization, in which it was no longer the custom for the husband to go and dwell among his wife's people.[204]
On the other hand, Andrianòro's wife lives under patriarchal government. The Malagasy have advanced further on the path of civilization than the Maories; and at the stage of progress they have reached, the father is much more like an absolute monarch. In the story referred to, the lady had married without her father's consent. Accordingly her marriage is ignored, and her lover has to perform a number of services for his father-in-law, and so purchase formal consent to their union. Nor will it escape the reader that when the wielder of the thunderbolt at last gives his daughter to her husband, he dismisses them back to the home of the latter. Hasan, too, it will be remembered, returns to Bagdad with his wife and children, though we probably have a survival of an older form of the story in his relations with her redoubtable sister. This lady holds a position impossible in an Arab kingdom. Her father is a mere shadow, hardly mentioned but to save appearances; so much more substantial is her power and her opposition to the match. The variants of the Marquis of the Sun are found chiefly among European nations,[205] whose history, institutions, and habits of thought lead them to attach great value to paternal authority. In the tasks performed in märchen of this type, and the precipitate flight which usually takes place on the wedding night from the ogre's secret wrath, it would seem that we have a reminiscence of the archaic institutions of marriage by purchase and marriage by capture,?both alike incidents of the period when mother-right (as the reckoning of descent solely through females is called) has ceased to exist in a pure form, and society has passed, or is passing, into the patriarchal stage. The Marquis of the Sun type is, therefore, more recent than the other types of the Swan-maiden tradition, none of which so uniformly in all their variants recognize the father's supreme position.[206]