by Edwin Sidney Hartland
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So far the stories. Concerning which it must be observed that they are evidence that the myth of Lady Godiva is widely diffused in the East, and that the spy is usually, though not always, part of the tale. The Smyrn?an version must probably be thrown out of the reckoning. It is, as I have already mentioned, a variant of the Cinderella cycle. The problem of the plot is how to get the heroine unseen out of her father's clutches. This is commonly effected by the simple mechanism of a disguise and a night escape. Other methods, I need not now detail, are, however, sometimes adopted; and the excuse of going to the bath, with the order to the people to close their shops and keep within doors, would seem to reveal nothing more than the unconscious influence of Aladdin or some other of the Eastern stories. Throwing this out, then, as accidental, an overwhelming proportion of the analogues cited contains the spy. It would be dangerous to reason on the supposition that the proportions of all the Asiatic variants extant correspond with those of the variants cited; but we are at liberty to assume that a large number, if not the majority, comprise the incident of Peeping Tom. None of them was known in Europe until Galland published his translation of the ?Arabian Nights? in the year 1704?upwards of two centuries later than the latest period at which the story as given in the Coventry manuscript can have come into existence.
But the stories, though they may go a little way to help us in regard to the incident of Peeping Tom, throw no light on the origin of the legend, or of the procession. Let us therefore turn to one or two curious religious ceremonies, which may have some bearing upon it. A potent spell to bring rain was reported as actually practised during the Gorakhpur famine of 1873-4. It consisted of a gang of women stripping themselves perfectly naked, and going out by night to drag the plough across a field. The men were kept carefully out of the way, as it was believed that peeping by them would not only vitiate the spell, but bring trouble on the village. It would not be a long step from this belief to a story in which peeping was alleged to have taken place with disastrous effects, either to the village, or (by favour of the deities intended to be propitiated) to the culprit himself. At the festival of the local goddess in the village of Serúr, in the Southern Mahratta country, the third and fourth days are devoted to private offerings. Many women, we are told, on these days walk naked to the temple in fulfilment of vows, ?but they were covered with leaves and boughs of trees, and surrounded by their female relations and friends.?[54]
The performance of religious rites by women alone, when men are required under heavy penalties to absent themselves, is, indeed, not very uncommon in savage life. Nor is it confined to savage life. When Rome was at the height of her civilization and her triumphs, the festival of the Bona Dea was rendered notorious by the divorce of Cæsar's wife and by legal proceedings against an aristocratic scoundrel, who, for the purposes of an intrigue with her, had violated the sacred ceremonies. The Bona Dea, or Good Goddess, was a woodland deity, the daughter and wife of Faunus. Her worship had descended from a remote antiquity; and her annual festival was held in the month of December, and was attended only by women. The matrons of the noblest families of Rome met by night in the house of the highest official of the state to perform the traditional ceremonies of the goddess, and to pray for the well-being of the Roman people. Only women, and those of the most unsullied character, were permitted to attend; and the breach of this rule by Clodius, disguised in woman's garb, constituted a heinous offence against the state, from the penalties of which he only escaped, if we may believe Cicero, by bribing the judges.[55]