Wish I could see his face, though. Explain better. Why the barber in Drago’s always looked my face when I spoke his face in the glass. Still hear it better here than in the bar though farther.
—Each graceful look…
First night when first I saw her at Mat Dillon’s in Terenure. Yellow, black lace she wore. Musical chairs. We two the last. Fate. After her. Fate.
Round and round slow. Quick round. We two. All looked. Halt. Down she sat. All ousted looked. Lips laughing. Yellow knees.
—Charmed my eye…
Singing. Waiting she sang. I turned her music. Full voice of perfume of what perfume does your lilactrees. Bosom I saw, both full, throat warbling. First I saw. She thanked me. Why did she me? Fate. Spanishy eyes. Under a peartree alone patio this hour in old Madrid one side in shadow Dolores shedolores. At me. Luring. Ah, alluring.
—Martha! Ah, Martha!
Quitting all languor Lionel cried in grief, in cry of passion dominant to love to return with deepening yet with rising chords of harmony. In cry of lionel loneliness that she should know, must martha feel. For only her he waited. Where? Here there try there here all try where. Somewhere.
—Co–ome, thou lost one!
Co–ome, thou dear one!
Alone. One love. One hope. One comfort me. Martha, chestnote, return!
—Come!
It soared, a bird, it held its flight, a swift pure cry, soar silver orb it leaped serene, speeding, sustained, to come, don’t spin it out too long long breath he breath long life, soaring high, high resplendent, aflame, crowned, high in the effulgence symbolistic, high, of the etherial bosom, high, of the high vast irradiation everywhere all soaring all around about the all, the endlessnessnessness…
—To me!
Siopold!
Consumed.
Come. Well sung. All clapped. She ought to. Come. To me, to him, to her, you too, me, us.
—Bravo! Clapclap. Good man, Simon. Clappyclapclap. Encore! Clapclipclap clap. Sound as a bell. Bravo, Simon! Clapclopclap. Encore, enclap, said, cried, clapped all, Ben Dollard, Lydia Douce, George Lidwell, Pat, Mina Kennedy, two gentlemen with two tankards, Cowley, first gent with tank and bronze miss Douce and gold MJiss Mina.
Blazes Boylan’s smart tan shoes creaked on the barfloor, said before. Jingle by monuments of sir John Gray, Horatio onehandled Nelson, reverend father Theobald Mathew, jaunted, as said before just now. Atrot, in heat, heatseated. Cloche. Sonnez la. Cloche. Sonnez la. Slower the mare went up the hill by the Rotunda, Rutland square. Too slow for Boylan, blazes Boylan, impatience Boylan, joggled the mare.
An afterclang of Cowley’s chords closed, died on the air made richer.
And Richie Goulding drank his Power and Leopold Bloom his cider drank, Lidwell his Guinness, second gentleman said they would partake of two more tankards if she did not mind. Miss Kennedy smirked, disserving, coral lips, at first, at second. She did not mind.
—Seven days in jail, Ben Dollard said, on bread and water. Then you’d sing, Simon, like a garden thrush.
Lionel Simon, singer, laughed. Father Bob Cowley played. Mina Kennedy served. Second gentleman paid. Tom Kernan strutted in. Lydia, admired, admired. But Bloom sang dumb.
Admiring.
Richie, admiring, descanted on that man’s glorious voice. He remembered one night long ago. Never forget that night. Si sang ’Twas rank and fame: in Ned Lambert’s 'twas. Good God he never heard in all his life a note like that he never did then false one we had better part so clear so God he never heard since love lives not a clinking voice lives not ask Lambert he can tell you too.
Goulding, a flush struggling in his pale, told Mr Bloom, face of the night, Si in Ned Lambert’s, Dedalus house, sang ’Twas rank and fame.
He, Mr Bloom, listened while he, Richie Goulding, told him, Mr Bloom, of the night he, Richie, heard him, Si Dedalus, sing 'TWAS RANK AND FAME in his, Ned Lambert’s, house.
Brothers–in–law: relations. We never speak as we pass by. Rift in the lute I think. Treats him with scorn. See. He
