War and Peace

by graf Leo Tolstoy

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Aliment de poison d'une ame trop sensible,
Toi, sans qui le bonheur me serait impossible,
Tendre melancholie, ah, viens me consoler,
Viens calmer les tourments de ma sombre retraite,
Et mele une douceur secrete
A ces pleurs que je sens couler. *

*Poisonous nourishment of a too sensitive soul,
Thou, without whom happiness would for me be impossible,
Tender melancholy, ah, come to console me,
Come to calm the torments of my gloomy retreat,
And mingle a secret sweetness
With these tears that I feel to be flowing.

For Boris, Julie played most doleful nocturnes on her harp. Boris read Poor Liza aloud to her, and more than once interrupted the reading because of the emotions that choked him. Meeting at large gatherings Julie and Boris looked on one another as the only souls who understood one another in a world of indifferent people.

Anna Mikhaylovna, who often visited the Karagins, while playing cards with the mother made careful inquiries as to Julie's dowry (she was to have two estates in Penza and the Nizhegorod forests). Anna Mikhaylovna regarded the refined sadness that united her son to the wealthy Julie with emotion, and resignation to the Divine will.

"You are always charming and melancholy, my dear Julie," she said to the daughter. "Boris says his soul finds repose at your house. He has suffered so many disappointments and is so sensitive," said she to the mother. "Ah, my dear, I can't tell you how fond I have grown of Julie latterly," she said to her son. "But who could help loving her? She is an angelic being! Ah, Boris, Boris!"?she paused. "And how I pity her mother," she went on; "today she showed me her accounts and letters from Penza (they have enormous estates there), and she, poor thing, has no one to help her, and they do cheat her so!"

Boris smiled almost imperceptibly while listening to his mother. He laughed blandly at her naive diplomacy but listened to what she had to say, and sometimes questioned her carefully about the Penza and Nizhegorod estates.

Julie had long been expecting a proposal from her melancholy adorer and was ready to accept it; but some secret feeling of repulsion for her, for her passionate desire to get married, for her artificiality, and a feeling of horror at renouncing the possibility of real love still restrained Boris. His leave was expiring. He spent every day and whole days at the Karagins', and every day on thinking the matter over told himself that he would propose tomorrow. But in Julie's presence, looking at her red face and chin (nearly always powdered), her moist eyes, and her expression of continual readiness to pass at once from melancholy to an unnatural rapture of married bliss, Boris could not utter the decisive words, though in imagination he had long regarded himself as the possessor of those Penza and Nizhegorod estates and had apportioned the use of the income from them. Julie saw Boris' indecision, and sometimes the thought occurred to her that she was repulsive to him, but her feminine self-deception immediately supplied her with consolation, and she told herself that he was only shy from love. Her melancholy, however, began to turn to irritability, and not long before Boris' departure she formed a definite plan of action. Just as Boris' leave of absence was expiring, Anatole Kuragin made his appearance in Moscow, and of course in the Karagins' drawing room, and Julie, suddenly abandoning her melancholy, became cheerful and very attentive to Kuragin.

"My dear," said Anna Mikhaylovna to her son, "I know from a reliable source that Prince Vasili has sent his son to Moscow to get him married to Julie. I am so fond of Julie that I should be sorry for her. What do you think of it, my dear?"

The idea of being made a fool of and of having thrown away that whole month of arduous melancholy service to Julie, and of seeing all the revenue from the Penza estates which he had already mentally apportioned and put to proper use fall into the hands of another, and especially into the hands of that idiot Anatole, pained Boris. He drove to the Karagins' with the firm intention of proposing. Julie met him in a gay, careless manner, spoke casually of how she had enjoyed yesterday's ball, and asked when he was leaving. Though Boris had come intentionally to speak of his love and therefore meant to be tender, he began speaking irritably of feminine inconstancy, of how easily women can turn from sadness to joy, and how their moods depend solely on who happens to be paying court to them. Julie was offended and replied that it was true that a woman needs variety, and the same thing over and over again would weary anyone.