When the public-spirited M. Charles who had contributed largely to the cost of this experiment came in a day or two to seek his balloon he found nothing but some shreds of cloth, and some lively legends of the prowess of the peasants in demolishing the devil's own dragon.
The government, far-sightedly, recognizing that there would be more balloons and useful ones, thereupon issued this proclamation for the discouragement of such bucolic valour:
A discovery has been made which the government deems it wise to make known so that alarm may not be occasioned to the people. On calculating the different weights of inflammable and common air it has been found that a balloon filled with inflammable air will rise toward heaven until it is in equilibrium with the surrounding air; which may not happen till it has attained to a great height. Anyone who should see such a globe, resembling the moon in an eclipse, should be aware that far from being an alarming phenomenon it is only a machine made of taffetas, or light canvas covered with paper, that cannot possibly cause any harm and which will some day prove serviceable to the wants of society.
Came now the next great step in the progress of aeronautics. It had been demonstrated that balloons could lift themselves. They had even been made to lift dumb animals and restore them to earth unhurt. But if the conquest of the air was to amount to anything, men must go aloft in these new machines. Lives must be risked to demonstrate a theory, or to justify a calculation. Aeronautics is no science for laboratory or library prosecution. Its battles must be fought in the sky, and its devotees must be willing to offer their lives to the cause. In that respect the science of aviation has been different from almost any subject of inquiry that has ever engaged the restless intellect of man, unless perhaps submarine navigation, or the invention of explosives. It cannot be prosecuted except with a perfect willingness to risk life. No doubt this is one of the reasons why practical results seemed so long in the coming. Nor have men been niggardly in this enforced sacrifice. Though no records of assured accuracy are available, the names of forty-eight aeronauts who gave up their lives in the century following the Montgolfiers' invention are recorded. That record ended in 1890. How many have since perished, particularly on the battlefields of Europe where aircraft are as commonplace as cannon, it is too early yet to estimate.
[Illustration: Montgolfier's Passenger Balloon.]
After the success of the ascension from the Champ de Mars, the demand at once arose for an ascension by a human being. It was a case of calling for volunteers. The experiments already made showed clearly enough that the balloon would rise high in air. Who would risk his life soaring one thousand feet or more above the earth, in a flimsy bag, filled with hot air, or inflammable gas, without means of directing its course or bringing it with certainty and safety back to a landing place? It was a hard question, and it is interesting to note that it was answered not by a soldier or sailor, not by an adventurer, or devil-may-care spirit, but by a grave and learned professor of physical science, Pilatre de Rozier. Presently he was joined in his enterprise by a young man of the fashionable world and sporting tastes, the Marquis d'Arlandes. Aristocratic Paris took up aviation in the last days of the eighteenth century, precisely as the American leisure class is taking it up in the first days of the twentieth.
The balloon for this adventure was bigger than its predecessors and for the first time a departure was taken from the spherical variety--the gas bag being seventy-four feet high, and forty-eight feet in diameter. Like the first Montgolfier balloons it was to be inflated with hot air, and the car was well packed with bundles of fuel with which the two aeronauts were to fill the iron brazier when its fires went down. The instinct for art and decoration, so strong in the French mind, had been given full play by the constructors of this balloon and it was painted with something of the gorgeousness of a circus poster.